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Location

New York

Industry

Non-Profit & Social Services Corporate Offices

A Vision for the Space

Graham Windham is one of New York City’s oldest and most respected child welfare organizations — an institution with deep roots and a clear sense of identity. When they relocated to a new office, they approached the design of the space with genuine intentionality. The new office featured extensive floor-to-ceiling glass partitions throughout, and rather than leave them bare or treat them with a generic frosted film, Graham Windham arrived with a specific creative vision: a bold, graphic vinyl treatment that would define the character of the space, create visual distinction between zones, and make the office feel designed rather than merely furnished.

The Design

The treatment they envisioned was intricate. A field of precise vertical stripes would cover each glass surface, with large arch-shaped cutouts breaking the pattern — creating clear windows within the graphic field that preserved sightlines while giving each room a distinctive visual identity. The color palette varied by zone: a rich blue in one suite of rooms, a vivid green in another, a more restrained tone in transitional spaces. The result, when viewed from anywhere on the floor, is a space that reads as cohesive and considered — the same design language applied consistently across dozens of individual glass panels, with the colored arches receding down the length of the office like a procession of framings.

The Challenge of Execution

A design this precise is unforgiving. Vertical stripe patterns demand perfect alignment across every panel — a fraction of a degree off and the error compounds visibly across the full width of a glass wall. The arch cutouts had to be positioned consistently from panel to panel, maintaining their proportions and placement regardless of variations in glass dimensions or partition configurations. Across thousands of square feet of glass, applied panel by panel, the margin for error was essentially zero. The installation required the kind of methodical, unhurried precision that can’t be rushed — and wasn’t.

The Result

The finished space is a demonstration of what etchmark vinyl can do when it’s treated as a design medium rather than a functional afterthought. Graham Windham’s office doesn’t look like a space where someone applied privacy film to the conference rooms — it looks like a space that was designed from the glass out, with the vinyl treatment as a central element of the interior architecture. The privacy the vinyl provides is almost incidental to the effect it creates. That’s what happens when a client has a clear vision and a fabrication partner with the patience and skill to execute it.

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Hear What Our Clients Have To Say

Great signage starts with a great partnership. These are just a few of the clients who’ve trusted us to get it right.

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